A spatial interface to twenty essays on the objects and themes of the exhibit as well as the objects and landmarks
More informationThe important landmarks that stood at this important Broadway intersection over time and by site
More informationA look at the technical processes along with the men and women who made all these cultural commodities in New York
More informationHannah Wirta Kinney
Claire McRee
Kelsey Brow
Andrew Gardner
Kirstin Purtich
Kirstin Purtich
Claire McRee
Laura Kelly-Bowditch
Kelsey Brow
Virginia Fister
Martina D’Amato
Zahava Friedman-Stadler
Virginia Spofford
Virginia Spofford
Martina D'Amato
Virginia Fister
Andrew Gardner
Lyman W. Atwater, after Charles Parsons
The City of New York
Published by Currier & Ives, 1876
Chromolithograph
24 3/4 × 35 7/8 in. (62.9 × 91.1 cm)
The New-York Historical Society, PR20.TN.1876.2
The City of New York demonstrates Manhattan’s, and Brooklyn’s, considerable development in the twenty years since Currier & Ives’ 1856 bird’s-eye view. Perhaps the most obvious addition, rather fancifully depicted here before its 1883 opening, is the Great East River Suspension Bridge (as Currier & Ives called the Brooklyn Bridge), which connected an increasingly urban Brooklyn to the island of Manhattan. The captions highlight many more buildings than had existed in 1856, and green spaces within the city have also become more defined. At the tip of Manhattan, Battery Park appears more manicured than its former incarnation, and the recently completed Central Park draws attention to uptown expansion.
— Kirstin Purtich