A spatial interface to twenty essays on the objects and themes of the exhibit as well as the objects and landmarks
More informationThe important landmarks that stood at this important Broadway intersection over time and by site
More informationA look at the technical processes along with the men and women who made all these cultural commodities in New York
More informationHannah Wirta Kinney
Claire McRee
Kelsey Brow
Andrew Gardner
Kirstin Purtich
Kirstin Purtich
Claire McRee
Laura Kelly-Bowditch
Kelsey Brow
Virginia Fister
Martina D’Amato
Zahava Friedman-Stadler
Virginia Spofford
Virginia Spofford
Martina D'Amato
Virginia Fister
Andrew Gardner
J. B. Smith & Son, after Charles Parsons
Currier & Ives
Lithographic stone for Ocean Express
1856
Limestone
31 3/4 × 28 3/8 × 2 7/8 in. (55.2 × 72.1 × 7.3 cm)
Collection of the Shelburne Museum. Museum purchase, 1965, from Old Print Shop, 1965-35.2
Because limestone was, and still is, a precious resource for lithographers, most of Currier & Ives’s printing stones were reground and reused when the firm was liquidated in 1907. However, a handful of stones, including this one representing the firm’s popular clipper ship genre of the mid-nineteenth century, have survived to this day and serve as reminders of the manual labor behind each lithograph. For further explanation of the lithography process, see Behind the Scenes.
—Kirstin Purtich